Jessica M. Chapman
The origins of the Vietnam War can be traced to France’s colonization of Indochina in the late 1880s. The Viet Minh, led by Ho Chi Minh, emerged as the dominant anti-colonial movement by the end of World War II, though Viet Minh leaders encountered difficulties as they tried to consolidate their power on the eve of the First Indochina War against France. While that war was, initially, a war of decolonization, it became a central battleground of the Cold War by 1950. The lines of future conflict were drawn that year when the Peoples Republic of China and the Soviet Union recognized and provided aid to the Democratic Republic of Vietnam in Hanoi, followed almost immediately by Washington’s recognition of the State of Vietnam in Saigon. From that point on, American involvement in Vietnam was most often explained in terms of the Domino Theory, articulated by President Dwight D. Eisenhower on the eve of the Geneva Conference of 1954. The Franco-Viet Minh ceasefire reached at Geneva divided Vietnam in two at the 17th parallel, with countrywide reunification elections slated for the summer of 1956. However, the United States and its client, Ngo Dinh Diem, refused to participate in talks preparatory to those elections, preferring instead to build South Vietnam as a non-communist bastion. While the Vietnamese communist party, known as the Vietnam Worker’s Party in Hanoi, initially hoped to reunify the country by peaceful means, it reached the conclusion by 1959 that violent revolution would be necessary to bring down the “American imperialists and their lackeys.” In 1960, the party formed the National Liberation Front for Vietnam and, following Diem’s assassination in 1963, passed a resolution to wage all-out war in the south in an effort to claim victory before the United States committed combat troops. After President John F. Kennedy took office in 1961, he responded to deteriorating conditions in South Vietnam by militarizing the American commitment, though he stopped short of introducing dedicated ground troops. After Diem and Kennedy were assassinated in quick succession in November 1963, Lyndon Baines Johnson took office determined to avoid defeat in Vietnam, but hoping to prevent the issue from interfering with his domestic political agenda. As the situation in South Vietnam became more dire, LBJ found himself unable to maintain the middle-of-the-road approach that Kennedy had pursued. Forced to choose between escalation and withdrawal, he chose the former in March 1965 by launching a sustained campaign of aerial bombardment, coupled with the introduction of the first officially designated U.S. combat forces to Vietnam.
Peace activism in the United States between 1945 and the 2010s focused mostly on opposition to U.S. foreign policy, efforts to strengthen and foster international cooperation, and support for nuclear nonproliferation and arms control. The onset of the Cold War between the United States and the Soviet Union marginalized a reviving postwar American peace movement emerging from concerns about atomic and nuclear power and worldwide nationalist politics that everywhere seemed to foster conflict, not peace. Still, peace activism continued to evolve in dynamic ways and to influence domestic politics and international relations.
Most significantly, peace activists pioneered the use of Gandhian nonviolence in the United States and provided critical assistance to the African American civil rights movement, led the postwar antinuclear campaign, played a major role in the movement against the war in Vietnam, helped to move the liberal establishment (briefly) toward a more dovish foreign policy in the early 1970s, and helped to shape the political culture of American radicalism. Despite these achievements, the peace movement never regained the political legitimacy and prestige it held in the years before World War II, and it struggled with internal divisions about ideology, priorities, and tactics.
Peace activist histories in the 20th century tended to emphasize organizational or biographical approaches that sometimes carried hagiographic overtones. More recently, historians have applied the methods of cultural history, examining the role of religion, gender, and race in structuring peace activism. The transnational and global turn in the historical discipline has also begun to make inroads in peace scholarship. These are promising new directions because they situate peace activism within larger historical and cultural developments and relate peace history to broader historiographical debates and trends.
Laura A. Belmonte
From the revolutionary era to the post-9/11 years, public and private actors have attempted to shape U.S. foreign relations by persuading mass audiences to embrace particular policies, people, and ways of life. Although the U.S. government conducted wartime propaganda activities prior to the 20th century, it had no official propaganda agency until the Committee on Public Information (CPI) was formed in 1917. For the next two years, CPI aimed to generate popular support for the United States and its allies in World War I. In 1938, as part of its Good Neighbor Policy, the Franklin Roosevelt administration launched official informational and cultural exchanges with Latin America. Following American entry into World War II, the U.S. government created a new propaganda agency, the Office of War Information (OWI). Like CPI, OWI was disbanded once hostilities ended. But in the fall of 1945, to combat the threats of anti-Americanism and communism, President Harry S. Truman broke with precedent and ordered the continuation of U.S. propaganda activities in peacetime. After several reorganizations within the Department of State, all U.S. cultural and information activities came under the purview of the newly created U.S. Information Agency (USIA) in 1953. Following the dissolution of USIA in 1999, the State Department reassumed authority over America’s international information and cultural programs through its Office of International Information Programs.
Public authorities are agencies created by governments to engage directly in the economy for public purposes. They differ from standard agencies in that they operate outside the administrative framework of democratically accountable government. Since they generate their own operating income by charging users for goods and services and borrow for capital expenses based on projections of future revenues, they can avoid the input from voters and the regulations that control public agencies funded by tax revenues.
Institutions built on the public authority model exist at all levels of government and in every state. A few of these enterprises, such as the Tennessee Valley Authority and the Port Authority of New York and New Jersey, are well known. Thousands more toil in relative obscurity, operating toll roads and bridges, airports, transit systems, cargo ports, entertainment venues, sewer and water systems, and even parking garages. Despite their ubiquity, these agencies are not well understood. Many release little information about their internal operations. It is not even possible to say conclusively how many exist, since experts disagree about how to define them, and states do not systematically track them.
One thing we do know about public authorities is that, over the course of the 20th century, these institutions have become a major component of American governance. Immediately following the Second World War, they played a minor role in public finance. But by the early 21st century, borrowing by authorities constituted well over half of all public borrowing at the sub-federal level. This change means that increasingly the leaders of these entities, rather than elected officials, make key decisions about where and how to build public infrastructure and steer economic development in the United States
Radicalism in the United States since 1945 has been varied, complex, and often fragmented, making it difficult to analyze as a coherent movement. Communist and pro-Soviet organizations remained active after World War II, but a proliferation of noncommunist groups in the 1940s and 1950s, formed by those disillusioned by Marxist theory or the Soviet Union, began to chart a new course for the American Left. Eschewing much of the previous focus on labor, the proletariat, and Marxist doctrine, American postwar radical organizations realigned around humanist values, moral action, democracy, and even religion, with tenuous connections to Marxism, if any. The parameters of postwar radical moral theory were not always clearly defined, and questions of strategy and vision caused frequent divisions among activists. Nonetheless, claims of individual dignity and freedom continued to frame left radicalism into the late 20th century, emphasizing identity politics, community-building initiatives, and cultural expression in the streets of U.S. cities and the halls of academia. The presidential campaign of Bernie Sanders in 2016 helped revitalize leftist rhetoric on the national stage with its calls for racial and economic equality on moral terms.
Jimmy Carter’s “Crisis of Confidence Speech” of July 1979 was a critical juncture in post-1945 U.S. politics, but it also marks an exemplary pivot in post-1945 religion. Five dimensions of faith shaped the president’s sermon. The first concerned the shattered consensus of American religion. When Carter encouraged Americans to recapture a spirit of unity, he spoke in a heartfelt but spent language more suitable to Dwight Eisenhower’s presidency than his own. By 1979, the Protestant-Catholic-Jewish consensus of Eisenhower’s time was fractured into a dynamic pluralism, remaking American religion in profound ways. Carter’s speech revealed a second revolution of post-1945 religion when it decried its polarization and politicization. Carter sought to heal ruptures that were dividing the nation between what observers, two decades hence, would label “red” (conservative Republican) and “blue” (liberal Democratic) constituencies. Yet his endeavors failed, as would be evidenced in the religious politics of Ronald Reagan’s era, which followed. Carter championed community values as the answer to his society’s problems aware of yet a third dawning reality: globalization. The virtues of localism that Carter espoused were in fact implicated in (and complicated by) transnational forces of change that saw immigration, missionary enterprises, and state and non-state actors internationalizing the American religious experience. A fourth illuminating dimension of Carter’s speech was its critique of America’s gospel of wealth. Although this “born-again” southerner was a product of the evangelical South’s revitalized free-market capitalism, he lamented how laissez-faire Christianity had become America’s lingua franca. Finally, Carter wrestled with secularization, revealing a fifth feature of post-1945 America. Even though faith commitments were increasingly cordoned off from formal state functions during this time, the nation’s political discourse acquired a pronounced religiosity. Carter contributed by framing mundane issues (such as energy) in moral contexts that drew no hard-and-fast boundaries between matters of the soul and governance. Drawn from the political and economic crises of his moment, Carter’s speech thus also reveals the all-enveloping tide of religion in America’s post-1945 age.
Rock and roll, a popular music craze of the mid-1950s, turned a loud, fast, and sexy set of sounds rooted in urban, black, working class, and southern America into the pop preference as well of suburban, white, young, and northern America. By the late 1960s, those fans and British counterparts made their own version, more politicized and experimental and just called rock—the summoning sound of the counterculture. Rock’s aura soon faded: it became as much entertainment staple as dissident form, with subcategories disparate as singer-songwriter, heavy metal, alternative, and “classic rock.” Where rock and roll was integrated and heterogeneous, rock was largely white and homogeneous, policing its borders. Notoriously, rock fans detonated disco records in 1979. By the 1990s, rock and roll style was hip-hop, with its youth appeal and rebelliousness; post‒baby boomer bands gave rock some last vanguard status; and suburbanites found classic rock in New Country. This century’s notions of rock and roll have blended thoroughly, from genre “mash-ups” to superstar performers almost categories unto themselves and new sounds such as EDM beats. Still, crossover moments evoke rock and roll; assertions of authenticity evoke rock. Because rock and roll, and rock, epitomize cultural ideals and group identities, their definitions have been constantly debated. Initial argument focused on challenging genteel, professional notions of musicianship and behavior. Later discourse took up cultural incorporation and social empowerment, with issues of gender and commercialism as prominent as race and artistry. Rock and roll promised one kind of revolution to the post-1945 United States; rock another. The resulting hope and confusion has never been fully sorted, with mixed consequences for American music and cultural history.
In 1835, Alexis de Tocqueville argued in Democracy in America that there were “two great nations in the world.” They had started from different historical points but seemed to be heading in the same direction. As expanding empires, they faced the challenges of defeating nature and constructing a civilization for the modern era. Although they adhered to different governmental systems, “each of them,” de Tocqueville declared, “seems marked out by the will of Heaven to sway the destinies of half the globe.”
De Tocqueville’s words were prophetic. In the 19th century, Russian and American intellectuals and diplomats struggled to understand the roles that their countries should play in the new era of globalization and industrialization. Despite their differing understandings of how development should happen, both sides believed in their nation’s vital role in guiding the rest of the world. American adherents of liberal developmentalism often argued that a free flow of enterprise, trade, investment, information, and culture was the key to future growth. They held that the primary obligation of American foreign policy was to defend that freedom by pursuing an “open door” policy and free access to markets. They believed that the American model would work for everyone and that the United States had an obligation to share its system with the old and underdeveloped nations around it.
A similar sense of mission developed in Russia. Russian diplomats had for centuries struggled to establish defensive buffers around the periphery of their empire. They had linked economic development to national security, and they had argued that their geographic expansion represented a “unification” of peoples as opposed to a conquering of them. In the 19th century, after the Napoleonic Wars and the failed Decembrist Revolution, tsarist policymakers fought to defend autocracy, orthodoxy, and nationalism from domestic and international critics. As in the United States, Imperial and later Soviet leaders envisioned themselves as the emissaries of the Enlightenment to the backward East and as protectors of tradition and order for the chaotic and revolutionary West.
These visions of order clashed in the 20th century as the Soviet Union and the United States became superpowers. Conflicts began early, with the American intervention in the 1918–1921 Russian civil war. Tensions that had previously been based on differing geographic and strategic interests then assumed an ideological valence, as the fight between East and West became a struggle between the political economies of communism and capitalism. Foreign relations between the two countries experienced boom and bust cycles that took the world to the brink of nuclear holocaust and yet maintained a strategic balance that precluded the outbreak of global war for fifty years. This article will examine how that relationship evolved and how it shaped the modern world.
The 1950s have typically been seen as a complacent, conservative time between the end of World War II and the radical 1960s, when anticommunism and the Cold War subverted reform and undermined civil liberties. But the era can also be seen as a very liberal time in which meeting the Communist threat led to Keynesian economic policies, the expansion of New Deal programs, and advances in civil rights. Politically, it was “the Eisenhower Era,” dominated by a moderate Republican president, a high level of bipartisan cooperation, and a foreign policy committed to containing communism. Culturally, it was an era of middle-class conformity, which also gave us abstract expressionism, rock and roll, Beat poetry, and a grassroots challenge to Jim Crow.
Robert O. Self
Few decades in American history reverberate with as much historical reach or glow as brightly in living mythology as the 1960s. During those years Americans reanimated and reinvented the core political principles of equality and liberty but, in a primal clash that resonates more than half a century later, fiercely contested what those principles meant, and for whom. For years afterward, the decade’s appreciators considered the era to have its own “spirit,” defined by greater freedoms and a deeper, more authentic personhood, and given breath by a youthful generation’s agitation for change in nearly every dimension of national life. To its detractors in subsequent decades, the era was marked by immature radical fantasies and dangerous destabilizations of the social order, behind which lay misguided youthful enthusiasms and an overweening, indulgent federal government. We need not share either conviction to appreciate the long historical shadow cast by the decade’s clashing of left, right, and center and its profound influence over the political debates, cultural logics, and social practices of the many years that followed.
The decade’s political and ideological clashes registered with such force because post–World War II American life was characterized by a society-wide embrace of antiradicalism and a prescribed normalcy. Having emerged from the war as the lone undamaged capitalist industrial power, the United States exerted enormous influence throughout the globe after 1945—so much that some historians have called the postwar years a “pax Americana.” In its own interest and in the interest of its Western allies, the United States engaged in a Cold War standoff with the Soviet Union over the fate of Europe and no less over the fate of developing countries on every continent. Fiercely anticommunist abroad and at home, U.S. elites stoked fears of the damage communism could do, whether in Eastern Europe or in a public school textbook. Americans of all sorts in the postwar years embraced potent ideologies justifying the prevailing order, whether that order was capitalist, patriarchal, racial, or heterosexual. They pursued a postwar “normalcy” defined by nuclear family domesticity and consumer capitalism in the shadow cast by the threat of communism and, after 1949, global thermonuclear war with the Soviet Union. This prevailing order was stultifying and its rupture in the 1960s is the origin point of the decade’s great dramas.
The social movements of that decade drew Americans from the margins of citizenship—African Americans, Latina/o, Native Americans, women, and gay men and lesbians, among others—into epochal struggles over the withheld promise of equality. For the first time since 1861, an American war deeply split the nation, nearly destroying a major political party and intensifying a generational revolt already under way. Violence, including political assassinations at the highest level, bombings and assassinations of African Americans, bombings by left-wing groups like the Weathermen, and major urban uprisings by African Americans against police and property bathed the country in more blood. The New Deal liberalism of Presidents Franklin D. Roosevelt and Harry S. Truman reached its postwar peak in 1965 under President Lyndon Johnson’s Great Society and then retreated amid acrimony and backlash, as a new conservative politics gained traction. All this took place in the context of a “global 1960s,” in which societies in Western and Eastern Europe, Latin America, Africa, and elsewhere experienced similar generational rebellions, quests for meaningful democracy, and disillusionment with American global hegemony. From the first year of the decade to the last, the 1960s were a watershed era that marked the definitive end of a “postwar America” defined by easy Cold War dualities, presumptions of national innocence, and political calcification.
To explain the foregoing, this essay is organized in five sections. First comes a broad overview of the decade, highlighting some of its indelible moments and seminal political events. The next four sections correspond to the four signature historical developments of the 1960s. Discussed first is the collapse of the political consensus that predominated in national life following World War II. We can call this consensus “Vital Center liberalism,” after the title of a 1949 book by Arthur Schlesinger Jr., or “Cold War liberalism.” Its assault from both the New Left and the New Right is one of the defining stories of the 1960s. Second is the resurgence, after a decades-long interregnum dating to Reconstruction, of African American political agency. The black freedom struggle of the 1960s was far more than a social movement for civil rights. To shape the conditions of national life and the content of public debate in ways impossible under Jim Crow, black American called for nothing less than a spiritual and political renewal of the country. Third, and following from the latter, is the emergence within the American liberal tradition of a new emphasis on expanding individual rights and ending invidious discrimination. Forged in conjunction with the black freedom movement by women, Latino/as, Asian Americans, Native Americans, and homophiles (as early gay rights activists were called) and gay liberationists, this new emphasis profoundly changed American law and set the terms of political debate for the next half century. Fourth and lastly, the 1960s witnessed the flourishing of a broad and diverse culture of anti-authoritarianism. In art, politics, and social behavior, this anti-authoritarianism took many forms, but at its heart lay two distinct historical phenomena: an ecstatic celebration of youth, manifest in the tension between the World War II generation and the baby boom generation, and an intensification of the long-standing conflict in American life between individualism and hierarchical order.
Despite the disruptions, rebellions, and challenges to authority in the decade, the political and economic elite proved remarkably resilient and preserved much of the prevailing order. This is not to discount the foregoing account of challenges to that order or to suggest that social change in the 1960s made little difference in American life. However, in grappling with this fascinating decade we are confronted with the paradox of outsized events and enormous transformations in law, ideology, and politics alongside a continuation, even an entrenchment, of traditional economic and political structures and practices.