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date: 25 November 2017

Summary and Keywords

Technology and environmental history are both relatively young disciplines among Americanists, and during their early years they developed as distinctly different and even antithetical fields, at least in topical terms. Historians of technology initially focused on human-made and presumably “unnatural” technologies, whereas environmental historians focused on nonhuman and presumably “natural” environments. However, in more recent decades, both disciplines have moved beyond this oppositional framing. Historians of technology increasingly came to view anthropogenic artifacts such as cities, domesticated animals, and machines as extensions of the natural world rather than its antithesis. Even the British and American Industrial Revolutions constituted not a distancing of humans from nature, as some scholars have suggested, but rather a deepening entanglement with the material environment. At the same time, many environmental historians were moving beyond the field’s initial emphasis on the ideal of an American and often Western “wilderness” to embrace a concept of the environment as including humans and productive work. Nonetheless, many environmental historians continued to emphasize the independent agency of the nonhuman environment of organisms and things. This insistence that not everything could be reduced to human culture remained the field’s most distinctive feature.

Since the turn of millennium, the two fields have increasingly come together in a variety of synthetic approaches, including Actor Network Theory, envirotechnical analysis, and neomaterialist theory. As the influence of the cultural turn has waned, the environmental historians’ emphasis on the independent agency of the nonhuman has come to the fore, gaining wider influence as it is applied to the dynamic “nature” or “wildness” that some scholars argue exists within both the technological and natural environment. The foundational distinctions between the history of technology and environmental history may now be giving way to more materially rooted attempts to understand how a dynamic hybrid environment helps to create human history in all of its dimensions—cultural, social, and biological.

Keywords: environmental history, history of technology, cultural turn, nature, technology, envirotech, actor network theory, new materialism

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